The score uses a neo-romantic, 19-century style and structure, derived from Shore's desire to have the music sound antiquated, but he nevertheless married it to modern and at times avant-garde techniques including atonal sections, unusual instrumental choices and orchestral set-ups, aleatoric writing, partly-spoken sprechstimme voices and syncopated rhythms, as well as borrowing from eastern scales, medieval styles of music, contemporary film music idioms for specific setpieces, classical idioms for some of the music of the Shire, new-age and contemporary idioms for the end-credits songs, etc. He envisioned the scores to all three films as a through-composed cycle, a grand opera told in three parts, involving a large network of leitmotifs, large choral and orchestral forces (including additional " bands" of instruments besides the main orchestra), frequent use of singing voices, both in choirs and through a wide ensemble of vocal soloists. Shore agreed to take the project in early 2000. Howard Shore, composer of The Lord of the Rings series' film score Shore visited the set and met with the filmmakers and various people involved in the production including the conceptual designers Alan Lee and John Howe (who would contribute to his Symphony and Doug Adams's book on the score), the actors Elijah Wood, Sean Astin and Andy Serkis, the screenwriter Philippa Boyens (who became Shore's principal librettist for the score), and saw assembled footage of all three films. The films were also temp-tracked sparsely with pieces from the scores to Braveheart and Last of the Mohicans. Shore was chosen by the filmmakers (who also considered the American composer James Horner and the Polish composer Wojciech Kilar ) when they found themselves temporarily-tracking parts of the assembled footage to pieces from his existing scores.
3.3 Diegetic motifs (not by Howard Shore).3.2 Incidental variations and fragments.3.1 Motifs in the original soundtracks, fan-credits, rarities and symphony.2.3.8 Themes for the Monsters of Middle Earth.2.3 First appearance in The Return of the King.2.1.5 Themes recurring from The Hobbit and in Alternate forms of the Soundtrack.2.1.4 Themes for Middle Earth: "Another Path" theme.2.1 First appearance in The Fellowship of the Ring.They were voted the best soundtrack of all time by a Classic FM listener poll for six years straight. The music continues to be performed by choirs and orchestras around the world as symphony pieces, concert suites and live to-projection concerts. The music was the subject of a short documentary film called Howard Shore: An Introspective, and has earned a dedicated research-based book by the musicologist Doug Adams. Some of his themes (like the Shire theme) and songs earned great popularity.
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The series music is widely regarded as one of the greatest achievements in the history of film music and became the most successful of Shore's career, earning three Oscars, two Golden Globes, three Grammys, and several other nominations. Throughout the composition, Shore has woven over 100 identified leitmotifs (or over 160, when considering the music of the Hobbit films), which are interrelated and categorized into groups that correspond to the Middle-earth cultures to which they relate, forming one of the greatest and most intricate collections of themes in the history of cinema. He made use of an immense ensemble including a large symphony orchestra (principally, the London Philharmonic Orchestra), multiple instrumental "bands", various choirs, and vocal and instrumental soloists, requiring an ensemble ranging from 230 to 400 musicians. Shore conceived the score as operatic and antiquated-sounding. Over 13 hours of the music (including various alternate takes) have been released across various formats. Shore wrote many hours of music for The Lord of the Rings, effectively scoring the entire film length. It is notable in terms of length of the score, the size of the staged forces, the unusual instrumentation, the featured soloists, the multitude of musical styles and the number of recurring musical themes used. The music of The Lord of the Rings film series was composed, orchestrated, conducted and produced by Howard Shore.
large male choir (Fellowship of the Ring).
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